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Left: Joel Hoffman, executive director of Vizcaya Museum and Gardens, and artist Josiah McElheny. (Photo: Vizcaya Museum and Gardens) Right: Artists Lionel Maunz and Andrea Merkx. (Photo: Lauren O‘Neill-Butler)
HOW MUCH ART CAN YOU TAKE? This is a question that: a) I pondered Thursday morning as I trotted, alongside the legions of art faithful, into the Deauville Beach Resort for the overcrowded opening preview kicking off this year’s edition of NADA Miami Beach; b) probably came to mind because I have a teenage memory of going to a punk club, not so far from this very fair, where I saw the words tattooed across the sweaty chest of a corpulent, probably drunk musician in some fast, loud band, and I guess it seared into my memory; c) pretty much defines my experience at every fair?
Those masses streaming into the Deauville entered a three-ring circus: Le Jardin (house left), the Richelieu Ballroom (center stage), or the Napoleon Ballroom (house right). All in all there were seventy-six exhibitors, and twenty-six NADA project spaces—which is to say, it was only a tad less overwhelming than Art Basel Miami Beach. Napoleon occupied the largest space, and here I foundRachel Uffner’s knockout solo booth featuring three of Sam Moyer’s seven-by-ten-foot weathered wall sculptures: canvases dyed with India ink, folded and creased, and left outdoors to dry. They suitably recalled night swimming in the Atlantic—the best thing to do in Miami. In a similar vein, Photios Giovanisof Callicoon Fine Arts had some new photographs of dimly lit landscapes by A. K. Burns, many drawn from a sci-fi movie she’s currently making. Nearby, Kerry Schuss had unveiled three stellar, little-known geometric drawings by Steven Parrino, made in 1987 and 1990, while Karin Gulbran’s wizardly “Eye Bowls” at White Columns stood out as some of the best, among the very few, ceramics in the “show.” Everyone was deep in brisk business—a particularly great thing for Sandy-affected galleries such asDerek Eller, Churner and Churner, and Foxy Production.
Left: Dealer and artist Margaret Lee with Carnegie International cocurator Tina Kukielski. Right: Dan Nadel and dealerRachel Uffner. (Photos: Lauren O‘Neill-Butler)
In the Richelieu Ballroom, Lionel Maunz had installed two ghastly sculptures in Bureau’s booth—crystalized, archaic forms (of burlap, sugar, and human teeth, among other materials) cast in a degenerative process. 47 Canal’s area meanwhile resembled a little platform, where numerous visitors lingered to chat among works by Gregory Edwards and Stewart Uoo.
Prem Krishnamurthy of Project Projects and the new LES gallery P! was chewing on a Ricola. “It keeps my blood sugar up,” he said, “and it also works against the neutralizing effect of the fair.” Krishnamurthy referred me to Daniel Kahneman’s book Thinking, Fast and Slow, which clarifies how glucose levels affects our brains. “A study found that some Israeli parole judges, notorious for turning down applications, were more likely to grant parole in cases they heard right after eating,” he relayed. “And not when they were hungry, cranky, or tired.” Apparently this phenomenon of losing brainpower is called “ego depletion.” (Maybe not such a bad thing to encourage in these parts.) “Everything” happens like lightning at the beginning of the fair, said a dealer—aka “Most sales conclude in the first hour, after breakfast.” Then she exhaled a quick “whatever,” perfectly capturing the weird, sad, and real nature of these things.
Left: Photios Giovanis of Callicoon Fine Arts. Right: Dealer James Fuentes. (Photos: Lauren O‘Neill-Butler)
Around 6 PM, the subtropical atmosphere mutated colors in typical Florida fashion. Blinding sunshine, blue skies, and puffy white clouds gave way to shades of light green, cotton-candy pink, and silver, turning the leafy plants and ocean into darker hues. There’s a jade I identify with terror twilight in Florida; sometimes you’ll see it spreading across the water. Sometimes it’s everywhere. The light changes fast here, too.
One of the best places to catch sunset in Miami is at the Vizcaya Museum and Gardens in Coconut Grove, specifically along the bay behind the early-twentieth-century faux–Venetian Renaissance house (with its Floridian pastiche of various historical styles). As the soft Technicolor illumination drained from the skies, we raced across the bridge to catch a private screening of Josiah McElheny’s site-specific commissioned project The Light Club of Vizcaya: A Women’s Picture. The crepuscular site was dégagé: A pianist was playing Schönberg, wine was being passed, and the tidy crowd of guests seemed . . . relaxed?
Projected on a screen atop the “mound,” an elevated part of the sprawling estate, and overlooking statuary and themed gardens, McElheny’s thirty-minute film features a script written by Rachel Zolf and narrated in voice-over by Zoe Leonard. This is the story of a woman who . . . well, I won’t say too much except that it unravels through still images and archival documents, a strategy that sometimes recalled Sebald, and that it concerns an underground Tiffany glass spa in the estate “where queers bathed in light and not ruins.”
Screening of The Light Club of Vizcaya: A Women’s Picture at the Vizcaya Museum and Gardens. (Photo: Vizcaya Museum and Gardens)
“A steady, even light is of the greatest importance,” intones the narrator as the film winds up.
“In fact it is absolutely essential.”
Departing, I spotted an inscription in Latin—Horace—right on the centerpiece of the Vizcaya’s chief façade.
DONA PRAESENTIS CAPE LAETUS HORAE. ACLINQUE SEVERA.
Translation: “Take the Gifts of This Hour. Put Serious Things Aside.”
In Miami? Well I never . . .
Left: Dealers Amanda Schmitt and Kathy Grayson of The Hole. (Photo: Allese Thomson) Right: Dealer Maxwell Graham of Essex Street. (Photo: Lauren O‘Neill-Butler)
Left: Prem Krishnamurthy of Project Projects and writer Dan Fox. Right: Dealer Kate Werble. (Photos: Lauren O‘Neill-Butler)
Left: Dealer Kerry Schuss. (Photo: Lauren O‘Neill-Butler) Right: Dealers Charles Libeert, Adriana Farietta, and Johannes Vogt. (Photo: Allese Thomson)
December 06, 2012 03:45PM
The current Deauville Beach Resort
Miami Beach’s new construction is continuing with a pair of newly-proposed towers, according to a report from brokerage and consultancy Condo Vultures. The condo towers include the Deauville Hotel Beach Resort and the Residences at the Miami Beach Edition, which would together comprise around 440 units. There are now more than 13,315 units proposed in the tri-county area since the beginning of the real estate downturn, with 88 new towers planned. — Alexander Britell
By our count, 1,087 galleries will be trekking down to Miami this week to participate in more than 20 art fairs around the city. With that much art for sale, there’s bound to be something for everyone — if you can find it. To help, we’ve put together a handy primer to Miami’s many satellite fairs. But this one comes with a twist.
If the art world, with its constant rumor-mongering and public spats, is a lot like high school, then December in Miami is the high school reunion. At the risk of oversimplifying things, we’ve paired each fair with a high school archetype that best encapsulates its attitude. We’ll be the first to admit these analogies are reductive and inelegant: As anyone who has seen “The Breakfast Club” can tell you, stereotypes are limiting and we’re all a little bit of a brain, athlete, basket case, princess, and criminal. But like high school, Miami is cutthroat and time is short, so we’ve glossed them for you as best we can. Happy fairgoing.
* Art Basel Miami Beach: The Golden Boy
The football player with whom most want to be in good graces, Art Basel Miami Beach is the biggest, most well-known fair of them all. As in high school, there is no shortage of people who think the popular kid is overrated and maintain they have no interest in gaining his approval. That may be true. But its status as prom king is hard to dispute.
1901 Convention Center Drive, Miami Beach, December 6-9.
* Design Miami/: The Cheerleader
The sister fair of ABMB devoted exclusively to design, Design Miami/ is attractive and entered the game with the good looks and connections to succeed without much trouble. This year, the fair is showing off its fun-loving side with a special presentation of architecture for dogs.
Meridian Avenue and 19th Street, Miami Beach, December 5-9.
* NADA: The Theater Kid
Moving to the Deauville Beach Resort in 2010 was NADA’s equivalent of building its own set: The casual venue is a perfect fit for a fair that has increasingly become a must-see for collectors looking for emerging or overlooked talent. (Art Basel Miami Beach might wear designer clothes, but NADA — creative, cliquish, quirky and cool — shops vintage.) Like many young thespians, the fair also has a penchant for the dramatic: When organizers learned that a couple of exhibitors had signed on to show with another fair simultaneously, they threatened to bar them from future editions of NADA — and then later reversed their opinion.
Deauville Beach Resort, Collins Avenue and 67th Street, Miami Beach, December 6-9.
* Untitled: The New Kid
Untitled is the art fair equivalent of Lindsay Lohan at the beginning of “Mean Girls”: Intriguing, attractive, and unknown. Organized by “Lush Life” curator Omar Lopez-Chahoud, the intimate, 40-exhibitor fair will occupy a seaside tent designed by Terence Riley. Its exhibitor list, which boasts galleries from Chicago, Norway, Mexico City, Montreal, and elsewhere, is a bit more geographically diverse than other small fairs. Still, its aforementioned scuffle with NADA probably did more to elevate its reputation than anything else. (Don’t say we didn’t warn you this was kind of like high school.)
12th Street and Ocean Drive, South Beach, December 5-9.
* Pulse: Teacher’s Pet
Never one to step too far outside the lines, Pulse is nothing if not reliable. You know you’ll find strong paintings, photographs, and drawings in an efficiently laid-out space at reasonable prices. The fair organizes its own installation, performance, and video programs, but you won’t see too many galleries giving over their booths to such impracticalities. Most are more interested in making money than in making a statement. Still, that’s no reason to skip over it: Like Brian Johnson in the Breakfast Club, Pulse might surprise you.
The Ice Palace, 1400 North Miami Avenue, Miami, December 6-9.
* Art Miami: The Super Senior
As the super senior is to the football star, so Art Miami is to Art Basel Miami Beach. It is the only player to rival the golden boy in size and know-how. Plus, it’s been around since before Miami was cool, and doesn’t need to try particularly hard to draw visitors or exhibitors. (It was founded 12 years before Art Basel Miami Beach arrived.) Its old school attitude can border on stodgy, but Art Miami undoubtedly fills a niche: It is one of the few fairs outside ABMB where you can find secondary market material like Picassos, Matisses, and Pisarros.
3101 NE 1st Avenue, Wynwood, December 5-9.
* CONTEXT: The Younger Sibling
A new fair from the organizers of Art Miami, CONTEXT is best understood as the august fair’s younger sibling. Like many freshmen, it’s trying hard to tap into the hottest trends. It’s got a special geographic focus on the (reliably cool) city of Berlin and a selection committee stacked with smart dealers like D.C.’s Leigh Conner and Jamie Smith. Still, the 65-exhibitor fair faces the same challenge that all siblings do: being overlooked. Occupying a 45,000-square-foot pavilion directly adjacent to Art Miami, CONTEXT risks both literally and figuratively being overshadowed by its older sister. We’ll have to wait and see how its own identity develops as it matures.
3201 NE 1st Avenue, Wynwood, December 5-9.
* Seven: The Loner
If ABMB is prom king, SEVEN is the kid who throws a rager in his parents’ basement instead of going to the big dance. In this case, the basement is a warehouse in Miami’s Wynwood neighborhood. For the third year in a row, this scrappy fair will host seven galleries — Postmasters, Pierogi, Hales Gallery, Ronald Feldman Fine Arts, BravinLee Programs, P.P.O.W. and Winkleman Gallery — for a laid-back, boothless event. Last year, SEVEN launched a New York edition in Williamsburg, Brooklyn during Frieze Week, cementing its reputation as a lovable, do-it-yourself affair a bit removed from the main attraction.
2200 NW 2nd Avenue, Wynwood, December 4-9.
* Scope: The Frat Boy
The frat boy may not technically be a high school archetype, but high schools are filled with future Greeks. Those rowdy, sometimes macho, always devil-may-care personalities are a good analogy for Scope. Plus, in a bizarre example of analogy collapsing into reality, some real live frat boys made an appearance at the fair two years ago in New York. (Artists Richie Budd and Will Robinson invited four New Jersey Greeks into a glassed-in cube to drink beer for hours on end and generally make mischief as part of an art installation called “Come on Guy.”) We can’t imagine that kind of stunt would fly at any other fair.
100 NE 36 Street at Midtown Boulevard, Miami, December 4-9.
* Aqua Art Miami: The Girl With Glasses
At first glance, Seattle-born Aqua Art Miami might not look like anything special. Like many small fairs, it is based in a hotel. But if you look past its modest exterior (think Rachel Leigh Cook in “She’s All That”), you’ll see it has a great bone structure. You may even spot the beginnings of a very promising career or two.
Aqua Hotel, 1530 Collins Avenue, Miami Beach, December 6-9.
* Miami Project: The Other New Kid
Lacking the PR push and brand-name backers of Untitled, the Miami Project may be relegated to the status of “the other new kid”: That girl you notice while everyone else is paying attention to the more conventionally attractive new arrival. The Miami Project’s interests are a bit quirkier, too: The fair promises a series of travel-inspired works from Nina Katchadourian created exclusively with her camera phone and objects available to her on an airplane. Another exhibitor, Cheryl Haines, is planning an immersive new media installation from artist Camille Utterback.
NE 1st Avenue and NE 29th Street, Wynwood, December 4-9.
* Art Asia: The Foreign Exchange Student
The only geographically focused fair in Miami, Art Asia features 24 galleries from around the world that specialize in Asian contemporary art. The largest concentration of dealers hail from Korea, while others are based in Turkey, New York, Japan, China and Florida. This year, Art Asia will move to a new location; still, its biggest claim to fame may be its exhibitor Eli Klein Fine Art, whose eponymous owner had a star turn on Bravo’s reality show “Gallery Girls.”
110 NE 36th Street at Midtown Boulevard, Miami, December 5-9.
* Red Dot: The Short Kid
Red Dot may not be fast or flashy enough to make the varsity fair team, but you can’t help but root for it anyway. Though its New York edition was cancelled this year on account of sloppy management and union conflicts, the Miami flagship will return with 90 galleries and a section of small booths devoted to artist projects. Just as coaches scope out the junior varsity team to see who might be ready for the big leagues a few years down the line, so art advisors have been known to scope out Red Dot for unknown talents.
3011 NE 1st Avenue at NE 31st Street, Wynwood, December 4-9.
* Miami River Fair: The Tree Hugger
The inaugural Miami River Fair was developed with a dual purpose: to sell art and do good. As the first fair in the city’s downtown Brickell area, it hopes to revitalize the Lower Miami River district and its waterfront. Collaborating with the Miami River Commission, the fair will install ten large sculptures on a strip of public park adjacent to the water. One participating artist, Dr. Petra Liebl-Osborne, will anchor a floating artificial-looking swimming pool in the river.
Miami Convention Center, 400 SE 2nd Avenue, Miami, December 5-9.
* Verge Art Fair: The Slacker
This hotel fair is a little rough around the edges but it’s not without a certain back-of-the-classroom charm. Most of the rooms are occupied by individual artists, while others are filled by small, alternative galleries. A pilot exposition spotlighting video art, film, and architecture betrays the fact that Verge may do its homework a bit more carefully than it likes to let on.
Essex House and Clevelander Hotels, 1001 Collins Avenue and 1020 Ocean Drive at 10th Street, Miami Beach, December 6-9.
* Fountain: The Hipster
Born of Williamsburg, this small-scale warehouse fair is all attitude. This year, it’s teaming up with street art nonprofit Living Walls to mount a 175-foot-long installation on the warehouse’s 5,000-square-foot lawn, where you might just catch an exhibitor sneaking a cigarette. On Saturday night, you can even pretend you’re in Brooklyn at Fountain’s dance party, which features musical stylings from New York’s own Tiki Disco.
2505 North Miami Avenue, Wynwood, December 6-9.
* PooL: The Home-Schooled Kid
Operating fully outside the establishment, PooL is entirely devoted to artists without galleries. The bootstrapped fair is hosting 25 artists this year, and will feature body painting by Artem Mirolevich, chalk installations by Ellis Gallagher Follow, and sculpture by Karim Marquez. Remember: Just as not every home-schooled kid is weirdly religious, not every artist is without a gallery for good reason.
Sky House Marquis, 1100 Biscayne Boulevard, Miami Beach, December 7-9.
* Ink: The Yearbook Photographer
Ink and your high school yearbook photographer have a lot in common — they are both quiet, passionate about the printed page, and interested in injecting a dose of intimacy into a sometimes-impersonal experience. Less visible than its New York cousin, the IFPDA Print Fair, Ink has been offering up contemporary fine art prints and works on paper since 2006.
Suites of Dorchester, 1850 Collins Avenue at 19th Street, Miami Beach, December 5-9.